Elliott unleashes a slew of rhymes as he reflects on hip-hop and drugs influence on him and his outlook on life. The track begins with an extended clip of the sample before it breaks down into Erik Arc Elliott's verse. Like "Flight of the Bumblebee", "Belly" is an intense, provocative track that Erik Arc Elliott and Meechy Darko coast over with equally aggressive set of bars. The Architect also continued to impress with his production on "Belly", which features an intense high string sample that sounds similar to that of the melody of Rimsky-Korsakov's "Flight of the Bumblebee". 11.The Flatbush ZOMBiES continued to bring the heat on their weekly Day of the Dead series, with the release of "Belly".Edema Ruh (acoustic, live Nightwish Cruise) The Poet and The Pendulum (live in Mexico City) The Greatest Show on Earth (live in Tampere 2015) Last Ride of the Day (live in Tampere 2015) Endless Forms Most Beautiful (live in Tampere 2015) Dark Chest of Wonders (live in Tampere 2015) Yours is an Empty Hope (live in Tampere 2015) Shudder Before the Beautiful (live in Tampere 2015) The Greatest Show on Earth (live Wembley 2015) The Poet and The Pendulum (live Wembley 2015) While Your Lips are Still Red (live Wembley 2015) Yours is an Empty Hope (live Wembley 2015) Shudder Before the Beautiful (live Wembley 2015) A monument for symphonic metal, for the sake of science and evolution - and the boy with the biology book. The bonus material consists of several additional live clips from different shows and a short interview with the biologist Richard Dawkins, and in the end, 'Vehicle Of Spirit' raises a monument for the band years 20. On both shows, the band delivers a setlist that will leave their loyal fans breathless – in London, they fly from the epic "Ghost Love Score" to "The Poet And The Pendulum" and the reborn version of "Stargazers," while Tampere cheers over Floor's unique performance of "Sleeping Sun" and reaches its bombastic ending with "The Greatest Show On Earth." After three hours of colourful live wizardry, the spectator's life will surely be and stay a little brighter. Looking at Tuomas Holopainen behind his keyboard arsenal, you still see the shy boy with his beloved biology book shimmering through. But even though their production is at the biggest level of the band's history, they never blindly rely on massive show effects or neglect the initial spirit of a live performance – eventually they still turn out to be the enthusiastic and fragile music lovers from Kitee. Intense pyro technics, raging wind effects and hypnotic video screens transform Nightwish's shows into an incomparable force of Nature. The line-up disagreements lay buried in the past and the dark moments are dusty and forgotten, so let's celebrate the present day and the beauty of reality – but not without little tricks in their sleeve: But the Finnish-Dutch-British-combo already seems like a well-established team, united for decades. It was the first tour with Floor Jansen on vocals and Troy Donockley on the pipes as permanent members of the line-up and together with Wintersun's Kai Hahto on drums, filling in for founding member Jukka Nevalainen after his sudden illness. And those who've seen Nightwish live since their inception in 1996, know that they are the ones to shine a little light with magic, intensity and melancholy into the corners of the one's mind that seemed long lost and forgotten.Īfter exactly twenty years of band history, the Suomi Symphonics around visionary and keyboardmaster Tuomas Holopainen have reached their best shape to date and this current energy is unleashed in the sextet's new live release 'Vehicle Of Spirit.' This live pack does not only contain the two most special shows of their last world tour, but leads through the entire career of Nightwish with its diverse setlists and hand-picked bonus material.Īfter eight genre-defining studio releases, Nightwish are among the most successful metal bands of our time and the multinational act surely doesn't have to prove anything to anyone anymore. The world grows duller, gets swept by everyday routine and a work-sleep-eat-repeat-rhythm – but every few decades, a bunch of musicians are able to break down these grey walls of concrete. With every year that we move further away from our childhood, we lose more of the fascination for the world and forget our initial sense of beauty.
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